Dear contemporaries!
I think you’ll never call in question all the advantages of our century. I’m now talking about the possibilities it opens for creation. Previously, to say your word in any form of art you first of all had to possess special talent or gift, at least the smallest amount of it. People who stepped into the water of arts without special merits were ciphered as losers. Today you may forget about all your complexes and unleash all your desires to create. Want to be an artist but have no skills? No problem. You may copy the outlines of any shape, paint them into the most unbelievable colors, just like Andy Warhall did, and you’ll get the outstanding masterpiece. Or you may come up with an innovation – say, take a hamster, put it into a can of paint and then make in run on the paper – I bet you’ll get the label of genius. The same with music. Want to play and sing but are voiceless or tone-deaf? Not a trouble at all. You can arm with the punk motto that “punk may be played by anyone†and g ahead. You may construct any music using special programs and loops, ‘cause today it is more honorable not to compose your own music but to remake or disfigure already existing pieces of music. Though for the more profound creators there is another approach – bastard pop.
Despite such angry name bastard pop is a pretty lovely amusement. The technology is rather simple – you take any fashionable music and mix it with another famous verse. In order to eliminate the original voice you can use the karaoke system. To get the pure voice from the other track you may take trouble of searching for the vocal version, but in case you fail you may sit up at your pc and extract the voice from the A-track and deafen the accompaniment. The brilliant illustrations of this method are the mixtures of Rammstein with Tatu or Zemfira along with other millions of the like. The only thing you should mind is that it is better to mixture the absolutely opposite trends, like an allegro tempo with a legato. You speed up one, slow down another and you get a masterpiece.
For those who are in love with difficulty and challenge there is a more profound approach. Americans have introduced their kind of classical bastard pop – Donna Summer. Yeah, this is just what you think – the black disco clubber. This brand-name harbors the male, not a switched, named Jason Forrest. His tracks mixture simultaneously several compositions which either sound separately or simultaneously interfering with one another. He cut out some element of different songs and combines them in a rather extraordinary way. Here you should mind that it is not just a mere mixing of music elements. The clue to success is to pick the peculiar pieces and join them into a comprehensible puzzle. In case you are ready to spend a couple of weeks in front of a studio pc you will be able to challenge Donna Summer and her famous bastard pop “lap-top showâ€.
So, if you still wish to get fame in the world of sounds – get a pc with corresponding installations and hurry up until the times when the talent is essential for performing music is back again.
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